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美国论文代写约翰霍普金斯大学:艺术品

美国论文代写



美国论文代写约翰霍普金斯大学:艺术品


纵观历史,很明显“艺术品”是指艺术家制作的作品。自文艺复兴以来,绘画和雕塑就是艺术品的完美典范,这件作品需要进行视觉沉思,并且每当观众希望时都可以使用。然而,不同的艺术家在20世纪初挑战了这一方面。 (Bronzino A,1999)Ana Mendieta等艺术家开始尝试描绘艺术品的方式,结果使艺术变得短暂,并打破了艺术品的限制。Mendieta主要在她的“Silueta”系列中展示了这样的挑战,在这个系列中,她使用自己的裸体来标记她在地面上的轮廓,然后被自然本身摧毁。Mendieta的作品如“First Silueta”或“Body on Body”,展示了Mendieta如何使用自己的裸体作为艺术品,这种对她身体的客观化改变了艺术品在过去被艺术品描绘的方式。 (主题),对象的标题。此外,Mendieta只组织了一次这样的事实,并且艺术家创造的轮廓随后被自然破坏或以非物质化的方式被摧毁,使这些作品具有基于时间的持续时间。虽然Mendieta创作了短暂的作品,只有在它们持久的时候才会被欣赏,但是可以给这些作品赋予独特的标签,这有助于理解Medieta的作品不属于博物馆无法维持的耐用艺术品类别。将艺术描绘转变为静态对象。


美国论文代写约翰霍普金斯大学:艺术品

Throughout history, it has been clear that the “art object” is referred to the piece produced by the artist. Since the renaissance, paintings and sculptures were a perfect example of the art object, a piece that would require visual contemplation and would be available whenever wished by the spectator. However, different artists challenged this aspect at the beginning of the 20th century. (Bronzino A, 1999) Artists such as Ana Mendieta began to experiment with the way in which the art object was depicted, and as a result turned art into ephemeral and broke the limitations set to the art object. Mendieta mainly presents such challenge on her “Silueta” series, in which she uses her own naked body to mark her silhouette on the ground, which then is destroyed by nature itself. Mendieta’s works such as “First Silueta” or “Glass on Body”, illustrate how Mendieta uses her own naked body as the art object, such objectification of her body changes the way in which art objects have been depicted on the past by giving the artist (subject), the title of the object. Moreover, the fact that Mendieta organized these happenings only once, and that the silhouettes created by the artists were then destroyed by nature or in one way dematerialized, gave these works a time-based duration. Although Mendieta created ephemeral works, which can only be appreciated while they last, one could give these works a label of uniqueness which helps to understand that Medieta’s works don’t fall under the category of durable artwork that cannot be maintained in a museum, completely changing the depiction of art as a static object. 






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