美国Assignment代写西北大学：西方艺术
日期: 2018年07月19日
美国Assignment代写：西方艺术
随着前卫时代的发展，许多艺术家坚持不懈地尝试新的表达方式，继续挑战西方艺术的不同方面。从艺术史的开始，艺术主体就作为艺术家自己被引入。然而，20世纪不同的艺术家质疑艺术主体所扮演的角色和责任，这些艺术家开始挑战艺术主体与艺术对象之间的关系。这种挑战是由许多艺术家引入的，主要受到女权主义艺术的挑战，展示了在实际作品中描绘主题的创新方式，而不是作品的创作者，这改变了这种作品的正常使用和理解。Mariele Lederman Ukele的“维护宣言”是这种运动的完美典范，Ukele的灵感来自于她自己维持家庭的经验，并提供了17种不同的表演，发生在公共场所。这些表演包括擦洗街道，烹饪和邀请人们吃饭等活动。通过以这种方式在公共场合表演，Ukele将艺术主题（她自己）融入到实际的对象（艺术品）中，这改变了艺术社区理解概念的方式，使艺术家成为艺术品和完全改变观看主题和艺术品之间的原始关系。此外，Ukele在短时间内展出这件作品的事实证明，这种运动和艺术作品是短暂的，这一概念在此期间开始在艺术界流行。如上所述，这样的概念赋予了艺术品非物质化的能力，只留下了独特感和审美之美，只有在它被曝光的时候才能被欣赏，但是艺术界面临的扩展选择和限制从一开始就是这样。
美国Assignment代写：西方艺术
As the avant-garde epoch advanced, many artists persisted with experimentation of new ways of expression in which they continued to challenge different aspects of western art. The artistic subject was introduced as the artist himself from the beginning of art history. However, different artists during the 20th century questioned the role and responsibilities played by the artistic subject, these artists began to challenge the relationship between the artistic subject and the art object. Such challenge was introduced by many artists and mainly challenged by feminist art, showing innovative ways of depicting the subject on the actual work, other than being the creator of the piece, which changed the normal use and understanding of such. Mariele Lederman Ukele’s “Manifesto for Maintenance”, is a perfect example of such movement, Ukele was inspired by her own experience of maintaining her household, and offered 17 different performances that took place in public spaces. These performances consisted of activities such as, scrubbing the streets, cooking and inviting people to eat. (Cranach L et al, 2005) By performing in public in such way, Ukele incorporates the artistic subject (herself) into the actual object (artwork), which changes the way in which the art community understands the concept, making the artist part of the artwork and completely changing the original relationship between the viewing subject and the art object. Furthermore, the fact that Ukele also presents this piece for a short period of time proves that such movement and work of art are ephemeral, a concept that started to become popular within the art community throughout this time. As mentioned above, such concept gave the artwork the ability to dematerialize, leaving behind nothing but a sense of uniqueness and aesthetical beauty, which could only be appreciated during the time it was being exposed, but expanded options and limitations being confronted by the art community since the beginning of time. (Neil O et al, 2006)
