英国论文代写雪菲尔哈伦大学：壁画艺术

回廊中最大的壁画与入口相对，展示了由圣多米尼克装饰的基督在十字架上的图画。这些壁画与入口相对。在这些壁画中，圣人已经在轮廓中显示出来，并且在十字架上存在与相关人物相关的较少明显的情感依恋。这用于建立壁画的主要主题，可以在上墙和地板上观察。所有这些壁画都描绘和描述了基督所具有的痛苦。它也代表了多米尼克统治的残酷。另一项标志着其重要性的作品是Sala Del Capitalo的十字架，其中包括拱形壁画，可以填满整个房间的北墙。这个节目在纪念碑上精美地描绘出来。它描绘了该计划从宗教秩序中出现的房间的北墙。对纪念碑的描绘是悲伤的。在十字架脚下哭泣的圣徒理想化了他们必须面对的痛苦。这些描绘是使用理想主义风格制作的。这是因为他们在纪念碑中建造艺术形式时实施了圣经的主题（Hockney，2001）。圣经主题的含义抑制了一个迎合人们心灵和内心的故事，并对人们产生了影响。

英国论文代写雪菲尔哈伦大学：壁画艺术

The largest fresco in the cloister which is opposite to the entrance, displays the picture of the Christ on the Cross being adorned by Saint Dominic. These frescos have been developed opposite to the entrance. In these frescos the saint has been shown in the profile and there is a lesser explicit emotional attachment with the associated figure which is there on the cross. This is used to establish the primary theme of the frescos which can be observed both on the upper walls and the floor. All these frescos depicts and describes the pain which Christ has a part been of. Also it represents the cruelties of the Dominic rule. Another work, which marks the great importance, is the Crucifixion of the Sala Del Capitalo which included arched fresco and can fill the entire north wall in the room. The program has been beautifully depicted in the monument. It depicts the north wall of the room where the program has emerged from the religious orders. The depictions on the monuments are sorrowful. The weeping of the saints on the foot of the cross idealizes the pain which has to be faced by them. These depictions have been made using the idealistic styles. This is because they have implemented the theme of Bible during the construction of the art forms in the monument (Hockney, 2001). The implications from the theme from the bible inhibit a story which caters within the mind and the heart of the people and creates an impact over the people.